Caribbean Music: Additional Sources


Austin-Broos, Diane J. Jamaica Genesis: Religion and the Politics of Moral Orders. Chicago: University of Chicago Press, 1997.

Averill, Gage. A Day for the Hunter, A Day for the Prey: Popular Music and Power in Haiti. Chicago: University of Chicago Press, 1997.

Averill, Gage. "Se Kreyol Nou ye"/"We're Creole": Musical Discourse in Haitian Identities. In Music and Black Ethnicity: The Caribbean and South America, edited by Gerard Behague, 157-79. New Brunswick: University of Miami North-South Center, 1994.

Averill, Gage. 1994 Anraje to Angaje: Carnival Politics and Music in Haiti. Ethnomusicology 38(2):217-247.

Averill, Gage, and David Yih. Music and Haitian Militarism. In The African Diaspora: A Musical Perspective. Ingrid T. Monson, ed. Pp. 267-293. New York: Garland. 2000.

Baraka, Amiri (LeRoi Jones). Blues People: Negro Music in White America. New York: Morrow, 1963.

Behague, Gerard H. Music and Black Ethnicity: The Caribbean and South America. New Brunswick, CT: Transaction Publishers, 1994.

Behague, Gerard, ed. 1979. Music in Latin America: An introduction. Englewood Cliffs, NJ: Prentice-Hall.

Blacking, John. How Musical Is Man? Seattle: University of Washington Press, 1973.

Brathwaite, Edward. "Kumina: The Spirit of African Survival." Jamaica Journal. 42, 44-63, 1978

Brown, Karen McCarthy. Mama Lola: A Vodou Priestess in Brooklyn. Berkeley: University of California Press, 1991 [2011].

Burton, Richard D. E. Afro-Creole: Power, Opposition, and Play in the Caribbean. Ithaca, NY: Cornell University Press, 1997.

Butler, Melvin L. “Musical Style and Experience in a Brooklyn Pentecostal Church: An ‘Insider’s Perspective’” Current Musicology. 70 (2000). 33-50.

Carpentier, Alejo. 2001. Music in Cuba ; edited and with an introduction by Timothy Brennan ; translated by Alan West-Durán. (Cultural Studies of the Americas, v. 5). Minneapolis: University of Minnesota Press.

Chernoff, John Miller. African Rhythm and African Sensibility. Chicago: University of Chicago Press, 1979.

Chevannes, Barry. "New Approach to Rastafari." In Rastafari and Other African-Caribbean Worldviews. New Brunswick, NJ: Rutgers University Press, pp. 20-42.

------. Rastafari: Roots and Ideology. Syracuse: Syracuse University Press, 1994.

------. 1978. "Revivalism: A Disappearing Religion." Caribbean Quarterly. 24, no. 3/4:1-17.

Cooper, Carolyn J. Noises in the Blood: Orality, Gender, and the "Vulgar" Body of Jamaican Popular Culture. London: Macmillan, 1993.

Desmangles, Leslie. The Faces of the Gods: Vodou and Roman Catholicism in Haiti. Chapel Hill: University of North Carolina Press, 1992.

Feldman, Heidi Carolyn. Black Rhythms of Peru: Reviving African Musical Heritage in the Black Pacific. Middletown, CT: Wesleyan University Press, 2006.

Fleurant, Gerdes. Dancing Spirits: Rhythms and Rituals of Haitian Vodun, the Rada Rite. Westwood, CT: Greenwood Press, 1996.

Floyd, Samuel A. The Power of Black Music: Interpreting Its History from Africa to the United States. New York: Oxford University Press, 1995.

Foner, Nancy. "The Jamaicans: Race and Ethnicity among Migrants in New York City." In New Immigrants in New York City, edited by Nancy Foner. New York: Columbia University Press, 1987.

Gates, Henry Louis Jr. The Signifying Monkey: A Theory of Afro-American Literary Criticism New York: Oxford University Press, 1988.

Gaunt, Kyra. Learning the Ropes: The Games Black Girls Play from Double-Dutch to Hip-Hop. New York: New York University Press, 2005.

Gilroy, Paul. The Black Atlantic: Modernity and Double Consciousness. Cambridge: Cambridge: Harvard University Press, 1993.
Gmelch, George, and Gmelch, Sharon. The Parish Behind God's Back: The Changing Culture of Rural Barbados. Ann Arbor: University of Michigan Press, 1997.

Guilbault, Jocelyne. Zouk: World Music in the West Indies. Chicago: University of Chicago Press, 1993.

Hebdige, Dick. Cut'N'Mix: Culture, Identity and Caribbean Music. London: Routledge. 1987.

Herskovits, Melville. The Myth of the Negro Past. Boston: Beacon Press, 1941 [1990].

Herzog, George. Research in Primitive and Folk Music in the United States. Washington, D.C.: American Council of Learned Societies (Bulletin 24), 1936

Hornbostel, E.M. “African Negro Music.” Africa: Journal of the International African Institute 1 (1928): 30-62.

Hurston, Zora Neale. Tell My Horse: Voodoo and Life in Haiti and Jamaica. New York: Harper and Row, 1938 [1990].

Kubik, Gerhard. Africa and the Blues. Jackson: University Press of Mississippi, 1999.
Lewin, Olive. Rock It Come Over: The Folk Music of Jamaica. Kingston: University of West Indies Press, 2000.

Lipsitz, George. Dangerous Crossroads: Popular Music, Post- modernism and the Poetics of Place. New York: Verso, 1994.

Loza, Steven Joseph. Tito Puente and the Making of Latin Music. University of Illinois Press, 1999.

Manuel, Peter. Caribbean Currents: From Rumba to Reggae. With Kenneth Bilby and Michael Largey. Philadelphia: Temple University Press, 1995 [2006].

Manuel, Peter. East Indian music in the West Indies: Tan-singing, chutney, and the making of Indo-Caribbean Culture. Philadelphia: Temple University Press, 2000.

Marks, Morton; "Uncovering Ritual Structures in Afro-American Music" Religious Movements in Contemporary America. Eds. Irving Zaretsky and Mark Leone. Princeton: Princeton University Press, 1974. 60-134.

Maultsby, Portia K. "West African Influences and Retentions in U.S. Black Music: A Sociocultural Study." More than Dancing: Essays on Afro-American Music and Musicians. Ed. Irene V. Jackson. Westport, CT: Greenwood Press, 1985. 25-55.

McDaniel, Lorna. The Big Drum Ritual of Carriacou: Praisesongs for Rememory of Flight. Gainesville: University of Florida Press, 1998.

Merriam, Alan P. The Anthropology of Music. Evanston: Northwestern University Press, 1964.

Métraux, Alfred. Voodoo in Haiti. New York: Schocken Books, 1972.

Mintz, Sidney and Richard Price. The Birth of African-American Culture: An Anthropological Perspective. Boston: Beacon Press, 1992 [1976].

Mitchell, Tony. Global Noise: Rap and Hip-Hop Outside the USA. Middletown, CT: Wesleyan University Press, 2002.

Monson, Ingrid, ed. The African Diaspora: A Musical Perspective. New York: Garland, 2000.

Moore, Robin. Nationalizing Blackness: Afrocubanismo and Artistic Revolution in Havana, 1920-1940. Pittsburg: University of Pittsburg Press, 1997.

Murphy, Joseph M. Working the Spirit: Ceremonies of the African Diaspora. Boston: Beacon Press, 1994.

Nettl, Bruno. “Introduction” Comparative Musicology and Anthropology of Music: Essays on the History of Ethnomusicology. Eds. Bruno Nettl and Philip V. Bohlman. Chicago: University of Chicago Press, 1991. xi-xvii

Okpewho, Isidore. "Introduction." The African Diaspora: African Origins and New World Identities. Eds. Isidore Okpewho, Carole Boyce Davies, and Ali A. Mazrui. Bloomington: Indiana University Press, 1999, xi-xxviii.

Olmos, Margarite Fernandez and Lizabeth Paravisini-Gebert, eds. Sacred Possessions: Vodou, Santeria, Obeah, and the Caribbean. New Brunswick, N.J.: Rutgers University Press, 1997.

Pinckney, Warren R., Jr. “Jazz in Barbados.” American Music 12, no. 1 (1994): 58 –87.

Prince, Althea. "How Shall We Sing the Lord's Song in a Strange Land?": Constructing the Divine in Caribbean Contexts. In Nation Dance: Religion, Identity, and Cultural Difference in the Caribbean. Patrick Taylor, ed. Bloomington: Indiana University Press, 2001.

Ramnarine, Tina K. Creating their own Space: The Development of an Indo-Caribbean Musical Tradition. Mona, Jamaica: University of West Indies Press, 2001.

Roberts, John Storm. Black Music of Two Worlds: African, Caribbean, Latin, and African-American Traditions. Second Edition. New York: Schirmer Books, 1998 [1972].

Rommen, Timothy. "Home Sweet Home: Junkanoo as National Discourse in the Bahamas." Black Music Research Journal, Vol. 19, No. 1 (Spring, 1999), pp. 71-92.

Rommen, Timothy. "Mek Some Noise": Gospel Music and the Ethics of Style in Trinidad. Berkeley: University of California Press, 2007.

Sheller, Mimi. Consuming the Caribbean: From Arawaks to Zombies. London: Routledge, 2003.

Sherlock, Philip, and Bennett, Hazel. The Story of the Jamaica People. Kingston: Ian Randle Publishers, 1998.

Simpson, George E. Black Religions in the New World. New York: Columbia University Press, 1978.

------. 1956. "Jamaican Revivalist Cults." Socialand Economic Studies. 5:321-403.

Slocum, Karla. 2001. "Negotiating Identity and Black Feminist Politics in Caribbean Research." In Black Feminist Anthropology: Theory, Praxis, Poetics, and Politics. Irma McClaurin, editor, pp. 126- 149. New Brunswick, NJ: Rutgers University Press.

Small, Christopher. Musicking: The Meanings of Performing and Listening. Hanover NH: Wesleyan University Press, 1998.

Southern, Eileen. The Music of Black Americans: A History. New York: W.W. Norton, 1971.

Stolzoff, Norman C. Wake the Town and Tell the People: Dancehall Culture in Jamaica. Durham: Duke University Press, 2000.

Taylor, Patrick. “Dancing the Nation: An Introduction.” In Nation Dance: Religion, Identity, and Cultural Difference in the Caribbean. Patrick Taylor, ed. Bloomington: Indiana University Press, 2001.

Thomas, Deborah A. Modern Blackness: Nationalism, Globalization and the Politics of Culture in Jamaica. Durham, NC: Duke University Press, 2004.

Trouillot, Michel-Rolph. Silencing the Past: Power and the Production of History. Boston: Beacon Press, 1995.

Trouillot, Michel-Rolph. "The Caribbean Region: An Open Frontier in Anthropological Theory." Annual Review of Anthropology. 21 (1992): 19-42.

Ulysse, Gina. 1999. "Uptown Ladies and Downtown Women: Female Representations of Class and Color in Jamaica." In Representations of Blackness and the Performance of Identities, edited by Jean Rahier. Westport, CT: Bergen and Garrey.

Washburne, Christopher. "The Clave of Jazz: A Caribbean Contribution to the Rhythmic Foundation of an African-American Music." Black Music Research Journal 17.1 (Spring 1997): 59-80.

Waterman, Richard Alan. African Influence on the Music of the Americas. Chicago: University of Chicago Press, 1952.

Wilcken, Lois E. The Drums of Vodou. With Frisner Augustin. Crown Point, IN: White Cliffs Media, 1992.

Wilson, Olly. “The Heterogeneous Sound Ideal in African American Music,” New Perspectives on Music. Ed. Josephine Wright, Harmonie Park, MI: Harmonie Park Press, 1992. 326-37.

Wilson, Olly. "The Significance of the Relationship between Afro-American Music and West African Music." Black Perspective in Music. 2.1 (1974): 3-22.
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